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Lost Tribe Sound

I Could See The Smoke

by Seabuckthorn

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  • Pre-order of I Could See The Smoke. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it's released.
    releases October 21, 2016

     $5 USD  or more


  • Cassette

    Pictures a mock up of the final case design. Final will have chipboard in place of white areas.

    Cassette Includes:
    • Pro-dubbed Audio Cassette
    • Hand Number Edition of 100
    • Digital Download in Various Formats 24Bit WAV, 320 MP3, Etc.

    Includes digital pre-order of I Could See The Smoke. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it's released.
    digital album releases October 21, 2016
    item ships out on or around October 19, 2016
    edition of 100 

     $8 USD or more


I Could See The Smoke
Seen As A Black Road
Overgrown Courtyard
Passage Of Old


Lost Tribe Sound releases ‘I Could See The Smoke', an EP from UK guitarist/multi-instrumentalist Seabuckthorn, on October 21, 2016; the EP will be available on a limited cassette tape edition and digital. Since the recent success of guitarist Western Skies Motel’s album ’Settlers’ in April, the tribe has hit the jackpot this year signing another of the most interesting guitarists around. Andy Cartwright who records under the name Seabuckthorn came to our attention last year, after a wise suggestion from composer William Ryan Fritch with his full-length album, ’They Haunted Most Thickly’ on the admirable French label, Bookmaker Records. After taking a deep listen, the awe set in. Could this be the missing link between the bombastic, world building intensity of William Ryan Fritch and the sublime, droning meditations of Western Skies Motel?

Seabuckthorn’s unique breed of guitar-based compositions have the ability to shift gear with such natural ease. Cartwright wields his weapons wisely, choosing a minimal, yet powerful arsenal made up of various twelve string guitars, a well worn resonator guitar, and deep accents of percussion. We hesitate to single out a particular style in the case of Seabuckthorn, as it rests comfortably alongside many genres. Americana and British folk are easy tags. The music also borrows from modern classical and drone. At times, even subtle cues of the Middle East enter the picture. Yet something more ancient is at work here, that recalls the minstrels of old, or the seafaring hymns of a long forgotten civilization. At times, the music comes full force, like an intense hunt through darkened woods, unleashing the resonator like half-tamed hounds, wild and relentless, a sickly horn-like sound rises from haze, a claustrophobic dread setting in the mind of the prey. In other moments, Cartwright's music plays with subdued, visceral tones that immediately fill the mind with imagined, yet familiar scenes: the hushed ember-lit nocturne for a desert at dusk; or the weary basecamp reveries at the summit of impassible cloud-capped mountains.

Cartwright notes in his own words that, "'I Could See The Smoke' is an arrangement of ideas gathered whilst on a European tour throughout June 2016, along with a couple of older songs I've been playing live for a year or so. After the tour, I returned home to Bristol eager to strike while the iron was hot and try to capture these compositions. Recorded & mixed over a period of two weeks whilst feeling the heat (both literally & politically) I opted for a threatening, even apocalyptic EP title. Saying that, I think most of these songs can offer up a tranquillity to counteract the gravity of these uncertain times, a calm inside the eye of a storm."


Dead West - Tape Series Description:
Dead West is a new series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the recent relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. The first two releases in the series come from the wildly prolific composer William Ryan Fritch and experimental guitarist Seabuckthorn. Both albums share a certain kinship, Seabuckthorn’s ‘I Could See The Smoke’ seems to traverse more inland from dense forests to sunbaked prairies, while Fritch’s ‘Ill Tides’ navigates through rough seas and expansive coastal regions.

The interesting choice of cassette tapes for this series is a first for Lost Tribe Sound, but it felt like the right choice for a few reasons. First off, the warped, dusted nature of cassette tapes pairs well with the music at hand. Secondly, the short production time for tapes allows us get the music out to fans while we are still highly excited about it, something that’s just not possible with the lengthy vinyl process. And finally, Dead West allows LTS to explore some more unusual sonic territory deserving of a physical format, that would’ve otherwise been too costly for our more extravagant release methods.



releases October 21, 2016

Resonator, 12-String guitars, & Drums by Andy Cartwright.
Recorded & Mixed by Andy Cartwright
Mastering by William Ryan Fritch.
Cover Arrangements by Valérie Tortolero & Ryan Keane.
Copyright Seabuckthorn / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP 2016)



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Seabuckthorn UK

Andy Cartwright's project 'Seabuckthorn' continues to drift, nomad like, through his uniquely crafted musical landscapes. His music explores alternative terrains on six to twelve strings, often with minimal, layered accompaniments. Sometimes quietly ambient, often powerfully expressive. ... more


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